Spoonbills & shorebirds photography workshop at Alafia Banks & Fort Desoto

I will be leading an instructional photography workshop for Roseate Spoonbills and shorebirds at Alafia Banks and Fort Desoto, in the Tampa Bay area, Florida. From February 28th to March 2nd of 2014, this tour will include three boat rides to rookeries, three half days at Fort Desoto and three photo critiques and Photoshop tutorial sessions during lunch time. We will go twice to Alafia Banks and once to Dit Dot Dash rookeries. Both of those rookeries are only accessible by boat. The price is $980 for the three days or $500 for one day. Maximum 5 people. It is possible to add an extension before or after the workshop. Contact me directly for a quote please.

Roseate Spoonbills in flight at Alafia Banks

Alafia Banks is the prime spot in the state of Florida to photograph Roseate Spoonbills in flight. Comprised of two islands, Sunken Island and Bird Island, the rookery sees about 20,000 nesting pairs of birds across 20 species every year. The concentration of Roseate Spoonbills is quite noticeable, and somewhat predictable flight patterns offer fantastic opportunities for photographing Spoonbills with breeding feathers.

Roseate Spoonbill landing - Alafia Banks

Roseate Spoonbill landing on the shallow water. This photograph was created at Alafia Banks, Florida.

ISO 400 | f/7.1 | 1/1600 | Manual Mode | AI servo rear focusing

This photograph was created with the Canon 600mm f/4 L IS II USM lens (Canon 600mm f/4 L IS II USM review) coupled with the 1.4x Extender III, the Canon EOS 5D mark III, on a gimbal head over a tripod.

What a landing for this Roseate Spoonbill! I am amazed at the pose with wings completely upward. Creating those kind of photographs requires accurate tracking of the subject: a technique I will gladly teach you during any of my workshops.

Roseate Spoonbill banking - Alafia Banks

Roseate Spoonbill banking before landing. This photograph was created at Alafia Banks, Florida.

ISO 500 | f/7.1 | 1/3200 | Manual Mode | AI servo rear focusing

This photograph was created with the Canon 600mm f/4 L IS II USM lens (Canon 600mm f/4 L IS II USM review) coupled with the 1.4x Extender III, the Canon EOS 5D mark III, on a gimbal head over a tripod.

I consider banking images as amongst the hardest ones in flight photography. You need to track patiently your subject and wait for that exact moment when it is going to turn towards, flipping its wings vertically. The best angles are often when the bird is flying slightly away, then turning towards the camera. There is a specific spot in Alafia banks where those shots are more likely to happen. Of course, we will spend more time in that area.

Many shorebirds at Fort Desoto

You will often hear me saying this: Fort Desoto is the Yellowstone of West Florida! There are lots of shorebirds and many migrating birds rest in the area for a while. If you want a chance to photograph Marbled Godwits, Long-billed Curlews, Skimmers, Royal Terns, Sandwich Terns, Sanderlings, Rudy Turnstones and many more, this is the place. I do not know any nature reserve anywhere close that sees that diversity of shorebird species. The usual suspects will be present: Great Blue Herons, Great White Egrets, Spoonbills, White Ibises, Pelicans, etc… More importantly, Fort Desoto is one of the rare spots where I very often come across Reddish Egrets. If you get lucky, you might even have a chance to photograph a white morph Reddish Egret: quite the sight!

White morph Reddish Egret - Fort Desoto

White morph Reddish Egret portrait with breeding colors. This photograph was created at Fort Desoto, Florida.

ISO 400 | f/6.3 | 1/4000 | Manual Mode | AI servo rear focusing

This photograph was created with the Canon 600mm f/4 L IS II USM lens (Canon 600mm f/4 L IS II USM review), the Canon EOS 5D mark III, handheld.

Waw!! I was amazed when I spotted that White morph Reddish Egret with such stunning breeding colors. I went for a headshot to capture the beautiful colors.

Willet - Fort Desoto

Willet landing portrait. This photograph was created at Fort Desoto, Florida.

ISO 400 | f/7.1 | 1/2000 | Manual Mode | AI servo rear focusing

This photograph was created with the Canon 600mm f/4 L IS II USM lens (Canon 600mm f/4 L IS II USM review), the Canon EOS 5D mark III, handheld.

There is a great technique to take pictures of shorebirds in flight, or about to land. First, spot a flock on the ground, then wait for new comers and then … come along with me to know more!

Overall, the Spoonbill & shorebird instructional photography workshop is a fantastic opportunity for beginners and professionals to capture unique photographs of some of Florida iconic birds.

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Steven

Overcast equals great photography conditions

The photograph below is a Reddish Egret.

Reddish Egret - Fort Desoto

Reddish Egret with vampire wings.

ISO 640 | f/5 | 1/1250 | Manual Mode w/ evaluative metering 0 EV | AI servo focus

This photograph was created with the Canon 600mm f/4 L IS II USM lens with a 1.4x III Extender, the Canon EOS 5D mark III, mounted on a Jobu Design Gimbal head, over the Manfrotto 190CX carbon fiber tripod, with flash and fresnel.

This Reddish Egret is standing still for a split second before launching to catch a fish. I really like the symmetry of the wings. When the weather is overcast, it is often leads to great photography opportunities. The bird seems to be drawn and stands out very well from the background. The secret is to overexpose in order to get the subject bright enough. The background will typically get overexposed while the subject is properly exposed, creating the dreamy ambiance. That type of photography is also called high key photography. I ran a bit of Detail Extractor from Color Efex Pro 4 plug-in of Nik Softwares for the image optimization. No background cleaning was needed.

The photograph below is a Galapagos Penguin.

Galapagos Penguin

Galapagos Penguin resting at Las Tintoreras, in the Galapagos Islands.

ISO 800 | f/6.3 | 1/500 | Manual Mode w/ evaluative metering 0 EV | AI servo focus

This photograph was created with the Canon 600mm f/4 L IS II USM lens, the Canon EOS 5D mark III handheld.

Another stunning example of high key photograph thanks to an overcast day! Note that the 600mm f/4 L IS II can reasonably be handheld thanks to its lighter weight and high performing Image Stabilizer.

Support our blog by following our links for your purchases. It comes at no extra cost to you and it helps keeping this photography blog lively!

Steven

Recovering the whites: Part II

The photograph below is a Great White Egret with breeding colors.

Great White Egret with breeding colors - Gatorland

Great White Egret with breeding colors – Gatorland, Florida.

ISO 400 | f/9 | 1/2000 | Av Mode w/ evaluative metering -2/3 EV | AI servo focus

This photograph was created with the Canon 300mm f/4 L IS USM lens, the Canon EOS 5D mark III, mounted on a Jobu Design Gimbal head, over the Manfrotto 190CX carbon fiber tripod.

This Great White Egret was less then ideally created because the whites around the shoulder were in the 245-250 range out of camera. When whites are above 235, it becomes difficult to recover details. This time, instead of using Detail Extractor from Color Efex Pro 4 plug-in of Nik Softwares, I went with the following procedure:

1. Regular Recovery slider at 20 from Photoshop RAW

2. Selection of the bright whites with a Color Range selection, then I applied a Linear Burn from the bending modes at 50% transparency

3. Addition of a layer mask to gradually erase some of the Linear Burn blending mode where the whites showed already enough detail

Lesson: do your best not to get whites above 235 when capturing the image!! Note the in camera highlights alerts will show only when the whites are burned, meaning above 255. One definitely wants to make sure there are no blinkies showing up and the histogram should stop somewhere in the middle of the fourth section to the right.

See below an animated GIF with the original creation, the first stage of whites recovery from Photoshop RAW and the Linear Burn blending mode applied to the brightest whites.

Great White Egret - Recovering whites

From the Original to full recovery

Note that I also cleaned up the area around the eye with the patch and clone tools from Photoshop.

Support our blog by following our links for your purchases. It comes at no extra cost to you and it helps keeping this photography blog lively!

Steven

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